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Here is Davey saying that he is out of ideas and needs to slow down and is trying to figure out what this whole YouTubing thing means to him these days. The other point of interest here is that it’s yet another video in which a YouTuber discusses their crisis of content. But why couldn’t they just leave it at that? Why did we need to be invited in? A stupid question in these stupid social-media times, I know. I’m happy they did, and happy that their dad seems cool with it. But I wish they wouldn’t then strong-arm us into congratulating them for coming out. Why do we need all this seriousness, all this meaning, all this insistence that two dopes who want to be famous and are trading on their looks have something else to say? They don’t! And that’s fine. But why not then make videos of beach adventures and clothes shopping and getting ready for formal events? You know, looksy things.
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(And twins.) They have done nothing to merit attention beyond being good-looking.
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These narcissistic undertones are especially glaring when the people doing the coming out (or whatever it is) are people like these Rhodes Brothers, who are “famous” only because they are handsome. There’s something deeply vain and inauthentic about these videos, and I hate how they wrangle unsuspecting parents or other loved ones into the performance. The impulse to film such things baffles me, and the videos that strange impulse gives birth to, videos like this one, are often unbearably strained and uncomfortable and staged-seeming. Because I hate things like that, surprises and ambushes, all done on camera, with the expectation that something profound will happen. Louis Public Radio article, here.Here’s my confession: I have not watched the phone call part of the video.
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Watch a brief clip of one of the films, below, and read the full St. “I just knew that it was gold,” Story said of the films. Many of the men in the film are seen with wedding rings, only able to take a brief respite from the life-long façade they’d constructed for themselves. Story, a gay man himself, was reportedly captivated by the scenes in the film, some depicting uniformed soldiers kissing other men, the fleeting happiness of the scenes a poignant force. “But I don’t know if we’ll actually find them.” “We naively set out thinking, ‘Oh, these men might be in their mid-90s, they could still be alive,’ and that might be true,” said Prusaczyk. He and his co-director, Beth Prusaczyk, have found relatives of some of the men, but none of the men themselves. Since stumbling on the recordings, Story has made an attempt to find anyone from the pool party who might still be alive today and willing to talk about it. Related | The Circle Illuminates Switzerland’s Post-WWII Underground Gay Scene
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“Queens and president’s wives and movie stars – he was always around fancy places and fancy things,” Susie Seagraves, Walton’s niece, told St. The films were bought at the estate sale of Buddy Walton, who was a preferred hairdresser to celebrities in the 40s. The film will explore the time period of the movies, where invisibility was imperative to survival. Having made the rare find of a depiction of queer life during a time when being found out as LGBT could ruin almost every aspect of your life, Story has started piecing together parts of the home movies into Gay Home Movie. Louis Public Radio.ĭecades-old home movies show men in the summer sun, dancing with one another and kissing at a private pool party in 1945, ephemeral freedom radiating from them. A new documentary is under production after filmmaker Geoff Story made a unique discovery at an estate sale in St.